![]() ![]() Music for the Piano: A handbook of concert and teaching material from 1580 to 1952. ^ Friskin, James Irwin Freundlich (1973).^ a b Woodstra, Chris Brennan, Gerald Schrott, Allen (2005)."Maurizio Pollini Plays Chopin's Nocturnes". The Art of the Piano: Its Performers, Literature, and Recordings. Jim Samson notes that the nocturne intensifies "not through ornamentation, but through a new textural background." Kleczyński commented that the middle section "is the tale of a still greater grief told in an agitated recitando celestial harps come to bring one ray of hope, which is powerless in its endeavor to calm the wounded soul, nds forth to heaven a cry of deepest anguish." The ending, according to Samson, is "in the nature of an elaborated ' feminine ending', articulating the reactive final beat of an amphibrach grouping." Nocturne in F-sharp minor, Op. calls the nocturne "broad and most imposing with its powerful intermediate movement, a thorough departure from the nocturne style." Some musical critics, including Charles Willeby and Frederick Niecks, do not think the piece deserves its fame and position though James Huneker agrees with this assessment, he notes that the nocturne is still "the noblest nocturne of them all." James Friskin found the music to have "the most imposing instrumental effect of any of the nocturnes," calling the crescendo and octaves "almost Lisztian." ![]() Theodor Kullak said of the piece, "the design and poetic contents of this nocturne make it the most important one that Chopin created the chief subject is a masterly expression of a great powerful grief." Jan Kleczyński Sr. The Nocturne in C minor is one of the more well known nocturnes, and has been categorized as one of Chopin's greatest emotional achievements. This complete collection of the nocturnes includes a useful thematic index and footnotes citing the differences between the manuscripts and the first editions. ![]() The piece is a total of 77 measures long. Product Details Description The nocturnes (night pieces) are among the most introspective and personal of Chopin's works, as he was influenced by John Field's pieces of the same title. The form originated with the Irish composer John Field, who published the first set of nocturnes in 1814, and reached its zenith in the 19 examples of Frdric Chopin. Finally, the piece ends with a reprise of the initial melody with extremely fast chordal accompaniment. nocturne, (French: Nocturnal), in music, a composition inspired by, or evocative of, the night, and cultivated in the 19th century primarily as a character piece for piano. Later, it moves to a technically demanding doppio movimento agitato at measure 49 which features fortissimo octave passages and double octave arpeggios. The piece becomes poco più lento at measure 25 and enters its middle section, which is a chorale in C major. In general, the scheme of the music is ternary form and follows A–B–A′. 1 is initially marked lento and is in 4Ĥ meter. ![]()
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